Barbara Croall – Odawa First Nation, Curator


Barbara Croall (Waasikogammisinikwe/”Shining Water Woman”) is Odawa First Nations (Giniw dodem, Manidoo Mnissing) and balances her time composing, performing and teaching music, with work in outdoor education rooted in traditional Anishinaabeg teachings, work with aboriginal youth and singing in traditional ceremonies. She graduated from the Hochschule für Musik in Munich, Germany (Meisterklassendiplom – Aufbaustudium) and the University of Toronto (Bachelor of Music in Composition), as well as music composition and theory with: Grace Vandendool (author of the ‘Keyboard Theory’ series and other music theory books, published by Frederick Harris), and Dr. Samuel Dolin, SashaRapaport and Arthur Levine (Glenn Gould School, Toronto). Other music composition studies include with: Sir Peter Maxwell-Davies and Robert Saxton (Scottish Chamber Orchestra, Orkney), and Helmut Lachenmann (Centre Acanthes, France). Most recently in the fall of 2014 she was the invited Guest Lecturer for the Lise Waxer Memorial Lecture Series at York University (Toronto), with her lecture topic “Water Keepers Through Song”—about the deep historical and continuing connections between Midewiwin beliefs, women’s singing traditions and lifeways, and Anishinaabeg methods of water ecology of the Great Lakes System and its related tributaries. As a cancer survivor, she shares her extensive research into the interconnections between First Nations women’s health, community water quality and Anishinaabeg women’s knowledge of plant medicines.

Although the first instruments she learned to play at the age of five were the traditional Anishinaabe wooden flute (pipigwan) and the drum (dewe’igan), she also at this time held a strong yearning to learn other musical instruments and began composing her own music in the oral tradition. This followed with studies in classical piano with Melissa Vandendool and Irina Kugucheva (Royal Conservatory of Music, Toronto), receiving her ARCT in Piano Performance. In addition to performing in piano masterclasses with Boris Lysenko, among others, she has also studied chamber music/instrumental accompaniment/vocal accompaniment with Irina Kugucheva, Mariana Rosenfeld-Milkis, Andras Webber and Leslie Kinton (Royal Conservatory of Music/Glenn Gould School), as well as piano duo performance with Walter Buczynski (Faculty of Music, University of Toronto).

Apart from her music for traditional First Nations flutes and voice in the Anishinaabe way, her music for soloists, chamber ensembles, orchestra, film, theatre, dance and interdisciplinary performance has been premiered internationally (Lithuania, Finland, Switzerland, Germany, France, Italy, Greece, UK,   US,   Korea,   and   Mexico)   and   across   Canada.   In   2002   she   was commissioned to compose the incidental and theme music for the Opening Ceremonies of the 2002 North American Indigenous Games in Winnipeg. From

1998 to 2000 she was Composer-in-Residence with the Toronto Symphony Orchestra, working under Finnish conductor Jukka-Pekka Saraste. She also performs as a soloist (traditional First Nations flutes/voice/other instruments) with orchestras  across  Canada  and  the  US,  and  has  frequently been  a  guest composer and performer at the National Museum of the American Indian in Washington D.C.. As a pianist she also performs solo, duo and chamber music with various other artists, and teaches piano and music theory privately to students of all levels, following the Royal Conservatory of Music syllabus.

Recording credits of her music and performances include: CBC Radio One, CBC Radio Two, Bayerische Rundfunk-Bayern 3, Deutsche Radio Swiss (DRS-II), Radio France, Italian National Television, APTN (Aboriginal Peoples Television Network, Canada), Kennedy Center Live Broadcasts (Washington DC). Awards include: numerous awards in the Kiwanis Festival (1987-91, solo piano, duopiano, chamber music and music composition), the Glenn Gould Award in Composition (1989), numerous scholarships at the Royal Conservatory of Music/Glenn Gould School (1992-96) and awards from the National Aboriginal Achievement Foundation (1993-97), nominations for the K.M. Hunter Award (2003, 2007, 2012), Visual and Expressive Arts Program Award (National Museum of the American Indian, 2009), and a Dora Mavor Awards nominee (2012).

Barbara is also the Founder and Director of Women of the Four Directions (WFD), promoting indigenous women’s artistic and cultural activities. She has also served as an Advisory Board Member of the First Nations Composers’ Initiative (FNCI).

For more information about Barbara Croall, visit: www.barbaracroall.ca